HAWES MUSIC PUBLISHING!

As of 1st October 2014, all my future works will be published under Hawes Music Publishing!  And I'm REALLY EXCITED to have the first score put in to print under the new company!  

The first score is a carol written for Gresham's in Norfolk called 'The Stable Carol' - a lovely carol for unbroken voices due to be premiered at the school carol service on 13th December. 

Although Novello will still publish all my works that I wrote between 2002 - 2014, the new company will publish all my future works - and it's a GREAT feeling to be self-publishing!

The new website (www.hawesmusic.com) is currently under construction and is where choirs and musicians will be able to purchase and hire scores for performance.

MAKING MUSIC // MURLEY DANCE

A couple of interesting features have just come my way that I thought I'd share! 

The first is a nice article on the Making Music website about my new work with the Henley Aliquando Choir: http://www.makingmusic.org.uk/inyourarea/southeast/news/news/aliquando-choir-presents-world-premiere-to-mark-ww1-centenary 

And the second is a beautiful video by MurleyDance showcasing their Autumn Tour using music from the Highgrove Suite:

https://www.youtube.com/watch?v=rihE4BIjduc&feature=youtu.be

HIGHGROVE SUITE - THE BALLET!

A series of performances throughout October will provide a new experience for me.

The fantastic classical dance company MurleyDance are setting my Highgrove Suite to dance as the centrepiece for their Hail Britannia Autumn 2014 tour.  

Hail Britannia goes to five cities this October: Leicester, Cambridge, London, Epsom and Cheltenham.  The  programme is about being British - as much as one can fit into a 90-minute show.  There will be four new choreographic works by Richard Chappell, Anaish Parmar and Artistic Director of the company, David Murley. 

Although originally written about HRH The Prince of Wales' gardens at Highgrove, MurleyDance will be using the Highgrove Suite to take the audience on a journey of a young girl's blossoming from youth to woman hood intertwining a strong maternal theme with death, friendship and love. 

For more details click here.

STANDING OVATION FOR WORLD PREMIERE PERFORMANCE

The Angel of Mons world premiere was a resounding success on Saturday night. A capacity crowd and standing ovation proved to me that the new work captures the spirit of the WWI centenary. The players and singers were all so gifted and showed so much goodwill - a huge thank you to everyone involved!

Sopranos: Elizabeth Adams, Harriet Astbury, Shona Astbury, Emily Wilsea

Altos: Nick Robinson, Emma Wragg, Chlöe Pardoe, Hilary Punnett

Tenor: Cameron Richardson-Eames, Martin Pickering, Mark Wilde

Bass: Johnnie Riches, Padraig Staunton, Tim Emberson, Sachin Gunga

Orchestra: Caroline Siriwardena, Clare Bhabra, Kerry-Ann Geary, Hazel Parkes, Sara Chambers, Cassandra Hodgson, Deirdre Bencsik, Glenis Malkin, Ayse Osman, Hugh Webb

Below is a review of the night written my Maxine Adams:

Standing Ovation for World Premiere Performance

The Angel of Mons by Grimsby-born composer Patrick Hawes was received with a standing ovation by a capacity audience at its world premiere performance. The concert at St Michael & All Angels Church Edenham took place on August 23rd 2014, exactly one hundred years since the episode which has inspired its creation.

Much has been documented about the evening of August 23rd 1914, when, during fierce fighting, the Lincolnshire Regiment were among many men to see an Angel-like apparition in the sky and hear a man’s voice commanding them to “Go back, go back.” This event has become known as “The Angel of Mons” and is the only recorded “supernatural” event of the war. Patrick Hawes and his brother Andrew Hawes, librettist, have worked on the assumption that there was an Angel and “understood its intervention to be evidence of God’s pity for his children…”

The Angel of Mons, which formed the second half of the concert, is scored for soprano soloist, choir, strings and harp, and tells the story in six movements, from the optimistic march to Mons, the appearance of the Angel, through to the anxious wait of those left at home. Andrew Hawes’ words capture perfectly the gradual darkening of mood as the men, led off to “fight heroically” become “broken scattered, leaderless and lost”. The Angel is set apart, singing words based on scripture.

Patrick Hawes’ music took the listener on an emotional journey at the end of which it was impossible to remain unaffected. The relentless and sinister beat of the opening march For King and Country gave way to the intimate scoring of Angel’s Charge - a delicate interplay between solo violin and soprano soloist - the Angel. The terrifying March to Mons was dramatically depicted by the full forces of choir and orchestra. There were moments of exquisite beauty in Out of the Depths as the Angel’s voice soared above the choir. Perhaps the most moving section of all was the final movement Let Them Give Thanks Whom The Lord Has Redeemed - the simultaneous singing of Psalm 107 by men’s voices, along with the well known hymn tune Glory to Thee my God, this night, sung by high voices, as the women waited anxiously at home, alone.

Specially formed for the performance, the Edenham Festival Consort was made up of singers and players from around the region, including students from Birmingham Conservatoire and Trinity College Cambridge. The choir sang with a professionalism all the more impressive as they had only come together three days before the concert. The small and extremely able string orchestra was led by Caroline Siriwardena, and special mention must go to harpist Hugh Webb who played such a pivotal role throughout. Soloists were Grace Davidson (soprano), who sang the role of the Angel with breathtaking beauty, Mark Wilde (tenor) and Martin Pickering (baritone) who gave moving performances during the first half of the concert.

In his introduction, Patrick Hawes explained to the audience that he had failed to find a larger stage for the first performance of The Angel of Mons, hence the decision to hold the concert at Edenham. As the last notes drifted away, there was a lengthy, eloquent silence. Judging by the applause and standing ovation that followed, the audience at Edenham felt themselves privileged to have been part of this world premiere performance. 

IN CONVERSATION WITH…..PATRICK HAWES

The WWI Centenary Partnership recently interviewed me about my works connected to The Great War and you can see my interview either by being a member of the partnership and clicking HERE to link to their website:

OR 

if you're not a member you can click HERE and use this link to see a copy.

Tickets for the WORLD PREMIERE concert of The Angel of Mons on 23rd August 2014 can be purchase HERE.

THE ANGEL OF MONS

On my album Angel there is a track called Out Of The Depths.  This is an excerpt from a larger work called The Angel of Mons and I am writing this blog as the piece is nearing completion.  

Yesterday there was a large article in the Telegraph about 'myths' surrounding the war - I did not even bother to read it because I am well aware of what the doubters say and the elaborate explanations they give to 'prove' that the apparition could not have appeared.  To them I say it is far easier not to believe than to believe.  What would the writer of yesterday's article say if confronted face-to-face by a soldier who fought in the battle of Mons and actually witnessed the angel?  To me, it is entirely feasible that an angel of God should appear at a time of such crisis in the history of mankind.  

While writing this work I have come to feel great empathy with the innocent young men who, on the one hand, were keen to fight for King and Country, and on the other, had no idea whatsoever of the horrors that were to befall them.  My brother's libretto perfectly capture the spirit of optimism which soon became discoloured during the march to Mons; the use of the psalms is a perfect way of connecting with the prayers of both those who fought and those who waited anxiously at home.  

As well as Out Of The Depths the soprano soloist has two other solos - Angel's Charge and Angel's Lament.  One of these is accompanied by solo violin the other by string quartet, and both rely on plainsong.  It is important that the angel is set apart from the rest of the performers, singing words entirely based on scripture.  

I am so looking forward to the premiere on 23rd August which will be the exact centenary of the apparition.  The concert is taking place at my brother's church in Lincolnshire and all profits will go to the Royal Anglian Regiment Benevolent Charity.

The Angel of Mons concert is on 23rd August 2014 at 7:30pm in St Michael & All Angels Church, Edenham (nr. Bourne), Lincolnshire, PE10 0LS.

Tickets priced at £20, £15 and £10 are available by clicking here.

LECTURE AND CONCERT

Well, it's been a busy few days!

Last week I delivered my lecture to the Temenos Academy (Patron: HRH The Prince of Wales).  Entitled 'The Emperor's New Clothes: A Vision of British Music in the 21st Century', I outlined where I think our nation's music is headed and where it needs to go, covering some very contentious issues along the way!!!  The transcript and audio recording will be available soon.

Then it was on to the beautiful Romsey Abbey to rehearse and conduct the Winchester Consort in a repeat of the sensational concert we gave in Winchester Cathedral a couple of years ago.  The concert was part of a the Romsey Festival and we had a really lovely programme of music: Vaughan Williams, Harris, Parry and a few of my works including The Twenty-Third Psalm, Out of the Depths and Song of Songs.  The consort sounded as fantastic as always.